<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"
	xmlns:media="http://search.yahoo.com/mrss/"
>

<channel>
	<title>New Books in Digital Culture</title>
	<atom:link href="http://newbooksindigitalculture.com/feed/" rel="self" type="application/rss+xml" />
	<link>http://newbooksindigitalculture.com</link>
	<description>Just another New Books Network podcast</description>
	<lastBuildDate>Tue, 14 May 2013 15:28:35 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.5.1</generator>
	<copyright>Copyright © New Books Network 2011 </copyright>
	<managingEditor>marshallpoe@gmail.com (New Books Network)</managingEditor>
	<webMaster>marshallpoe@gmail.com (New Books Network)</webMaster>
	<category>technology, computers, web, internet, digital, books</category>
	<ttl>1440</ttl>
	<image>
		<url>http://newbooksnetwork.com/wp-content/nbn_square_logos/digitalculture_300x300.png</url>
		<title>New Books in Digital Culture</title>
		<link>http://newbooksindigitalculture.com</link>
		<width>144</width>
		<height>144</height>
	</image>
	<itunes:subtitle>Discussions with the Digerati about their New Books</itunes:subtitle>
	<itunes:summary>Discussions with the Digerati about their New Books</itunes:summary>
	<itunes:keywords>technology, computers, web, internet, digital, books</itunes:keywords>
	<itunes:category text="Society &#38; Culture" />
	<itunes:category text="Technology" />
	<itunes:category text="Education" />
	<itunes:author>New Books Network</itunes:author>
	<itunes:owner>
		<itunes:name>New Books Network</itunes:name>
		<itunes:email>marshallpoe@gmail.com</itunes:email>
	</itunes:owner>
	<itunes:block>no</itunes:block>
	<itunes:explicit>no</itunes:explicit>
	<itunes:image href="http://newbooksnetwork.com/wp-content/nbn_square_logos/digitalculture_300x300.png" />
		<item>
		<title>Joseph November, &#8220;Biomedical Computing: Digitizing Life in the United States&#8221;</title>
		<link>http://newbooksindigitalculture.com/crossposts/joseph-november-biomedical-computing-digitizing-life-in-the-united-states-johns-hopkins-up-2012/</link>
		<comments>http://newbooksindigitalculture.com/crossposts/joseph-november-biomedical-computing-digitizing-life-in-the-united-states-johns-hopkins-up-2012/#comments</comments>
		<pubDate>Tue, 14 May 2013 15:28:35 +0000</pubDate>
		<dc:creator>Carla Nappi</dc:creator>
		
		<guid isPermaLink="false">http://newbooksnetwork.com/digitalculture/?post_type=crosspost&#038;p=94</guid>
		<description><![CDATA[[Cross-posted from New Books in Science, Technology, and Society] There are pigeons, cats, and Martians here.  There are CT scanners, dentures, computers large enough to fill rooms, war games, and neural networks. In Biomedical Computing: Digitizing Life in the United States (Johns Hopkins University Press, 2012), Joe November mobilizes this ecology of instruments and objects, people and programs, in a story [...]]]></description>
				<content:encoded><![CDATA[<p></p><p>[<em>Cross-posted from <a href="http://newbooksinscitechsoc.com" target="_blank">New Books in Science, Technology, and Society</a></em>] There are pigeons, cats, and Martians here.  There are CT scanners, dentures, computers large enough to fill rooms, war games, and neural networks. In <a href="http://www.amazon.com/dp/1421404680/?tag=newbooinhis-20" target="_blank"><i>Biomedical Computing: Digitizing Life in the United States </i></a>(Johns Hopkins University Press, 2012), <a href="http://artsandsciences.sc.edu/hist/Faculty/novemberj.html" target="_blank">Joe November</a> mobilizes this ecology of instruments and objects, people and programs, in a story that maps out the early years of the introduction of computers to biology and medicine from 1955 to 1965. As computing technology was gradually integrated into different spaces of biomedicine that were characterized by agents with very different agendas (a set of processes not without significant contestation), biomedicine and computing transformed one another. Life itself was changed as a result, as the objects of biomedical computing were translated into the kinds of system-entities that computers could describe. The historian of technology who reads November’s book will find fascinating stories of machines like LINC, ENIAC, and UNIVAC. The historian of science will find accounts of the ways that military funding shaped the computerization of biomedicine, windows into the mid-century work supported by the NIH, stories of the transformation of diagnostic medicine in the US, and chapters from the history of crystallography and molecular biology. The historian of networks and computing will find analyses of the importance of operations research, expert systems, and transdisciplinary research practices to the work of some of the central figures in the history of the computational sciences. In addition to all of this, November’s book can also be read as a history of the modern personal computer. (There are also men in RNA-themed neckties sprinkled throughout the early part of the story.) Enjoy the interview, and imagine as you listen that you’re here with me at the National Humanities Center, Skyping with Joe as a thunderstorm booms overhead, rain falls loudly outside the window, and brilliant humanities scholars share excited conversation about their work outside the door. It was a special afternoon.</p>
]]></content:encoded>
			<wfw:commentRss>http://newbooksindigitalculture.com/crossposts/joseph-november-biomedical-computing-digitizing-life-in-the-united-states-johns-hopkins-up-2012/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
			<enclosure url="http://files.newbooksnetwork.com/scitechsoc/044scitechsocnovember.mp3" length="29191023" type="audio/mpeg" />
		<itunes:duration>1:00:48</itunes:duration>
		<itunes:subtitle>[Cross-posted from New Books in Science, Technology, and Society] There are pigeons, cats, and Martians here.  There are CT scanners, dentures, computers large enough to fill rooms, war games, and neural networks. In Biomedical Computing: Digitizing[...]</itunes:subtitle>
		<itunes:summary>[Cross-posted from New Books in Science, Technology, and Society] There are pigeons, cats, and Martians here.  There are CT scanners, dentures, computers large enough to fill rooms, war games, and neural networks. In Biomedical Computing: Digitizing Life in the United States (Johns Hopkins University Press, 2012), Joe November mobilizes this ecology of instruments and objects, people and programs, in a story that maps out the early years of the introduction of computers to biology and medicine from 1955 to 1965. As computing technology was gradually integrated into different spaces of biomedicine that were characterized by agents with very different agendas (a set of processes not without significant contestation), biomedicine and computing transformed one another. Life itself was changed as a result, as the objects of biomedical computing were translated into the kinds of system-entities that computers could describe. The historian of technology who reads November’s book will find fascinating stories of machines like LINC, ENIAC, and UNIVAC. The historian of science will find accounts of the ways that military funding shaped the computerization of biomedicine, windows into the mid-century work supported by the NIH, stories of the transformation of diagnostic medicine in the US, and chapters from the history of crystallography and molecular biology. The historian of networks and computing will find analyses of the importance of operations research, expert systems, and transdisciplinary research practices to the work of some of the central figures in the history of the computational sciences. In addition to all of this, November’s book can also be read as a history of the modern personal computer. (There are also men in RNA-themed neckties sprinkled throughout the early part of the story.) Enjoy the interview, and imagine as you listen that you’re here with me at the National Humanities Center, Skyping with Joe as a thunderstorm booms overhead, rain falls loudly outside the window, and brilliant humanities scholars share excited conversation about their work outside the door. It was a special afternoon.</itunes:summary>
		<itunes:author>New Books Network</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>Muzammil Hussain and Phillip Howard, &#8220;Democracy&#8217;s Fourth Wave?: Digital Media and the Arab Spring&#8221;</title>
		<link>http://newbooksindigitalculture.com/crossposts/muzammil-hussain-and-phillip-howard-democracys-fourth-wave-digital-media-and-the-arab-spring-oxford-up-2013/</link>
		<comments>http://newbooksindigitalculture.com/crossposts/muzammil-hussain-and-phillip-howard-democracys-fourth-wave-digital-media-and-the-arab-spring-oxford-up-2013/#comments</comments>
		<pubDate>Fri, 26 Apr 2013 17:54:04 +0000</pubDate>
		<dc:creator>Heath Brown</dc:creator>
		
		<guid isPermaLink="false">http://newbooksnetwork.com/digitalculture/?post_type=crosspost&#038;p=93</guid>
		<description><![CDATA[[Cross-posted from New Books in Political Science] Muzammil Hussain and Phillip Howard have authored Democracy&#8217;s Fourth Wave? Digital Media and the Arab Spring (Oxford University Press, 2013) which explores the role social media (Twitter, Facebook, and texting) have played in political activism in Tunisia, Egypt, and Lebanon.  Hussain is a new Assistant Professor of Global Media Studies at the University of Michigan [...]]]></description>
				<content:encoded><![CDATA[<p></p><p>[<em>Cross-posted from <a href="http://newbooksinpoliticalscience.com" target="_blank">New Books in Political Science</a></em>] <a href="http://ccce.com.washington.edu/about/directorsStaff.html" target="_blank">Muzammil Hussain</a> and <a href="http://philhoward.org/" target="_blank">Phillip Howard</a> have authored <a href="http://www.amazon.com/dp/0199936978/?tag=newbooinhis-20" target="_blank"><i>Democracy&#8217;s Fourth Wave? Digital Media and the Arab Spring</i></a> (Oxford University Press, 2013) which explores the role social media (Twitter, Facebook, and texting) have played in political activism in Tunisia, Egypt, and Lebanon.  Hussain is a new Assistant Professor of Global Media Studies at the University of Michigan and Phillip Howard is Professor of Communication, Information, and International Studies at the University of Washington. Through extensive data collection and fieldwork, the authors bring a multi-method and multi-disciplinary approach to their timely subject. They argue that digital activism typically travels through six steps of protest mobilization starting with capacity building and ends with post-protest information war. This is the third book from the Oxford Studies in Digital Politics series featured on the podcast. As with the previous, Political Scientists can learn a lot from the disciplinary perspective brought to the subject of activism from those in Communications.</p>
]]></content:encoded>
			<wfw:commentRss>http://newbooksindigitalculture.com/crossposts/muzammil-hussain-and-phillip-howard-democracys-fourth-wave-digital-media-and-the-arab-spring-oxford-up-2013/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
			<enclosure url="http://files.newbooksnetwork.com/polisci/034politicalsciencehussain.mp3" length="11459104" type="audio/mpeg" />
		<itunes:duration>0:23:52</itunes:duration>
		<itunes:subtitle>[Cross-posted from New Books in Political Science] Muzammil Hussain and Phillip Howard have authored Democracy&#8217;s Fourth Wave? Digital Media and the Arab Spring (Oxford University Press, 2013) which explores the role social media (Twitter, Face[...]</itunes:subtitle>
		<itunes:summary>[Cross-posted from New Books in Political Science] Muzammil Hussain and Phillip Howard have authored Democracy&#8217;s Fourth Wave? Digital Media and the Arab Spring (Oxford University Press, 2013) which explores the role social media (Twitter, Facebook, and texting) have played in political activism in Tunisia, Egypt, and Lebanon.  Hussain is a new Assistant Professor of Global Media Studies at the University of Michigan and Phillip Howard is Professor of Communication, Information, and International Studies at the University of Washington. Through extensive data collection and fieldwork, the authors bring a multi-method and multi-disciplinary approach to their timely subject. They argue that digital activism typically travels through six steps of protest mobilization starting with capacity building and ends with post-protest information war. This is the third book from the Oxford Studies in Digital Politics series featured on the podcast. As with the previous, Political Scientists can learn a lot from the disciplinary perspective brought to the subject of activism from those in Communications.</itunes:summary>
		<itunes:author>New Books Network</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>Robert W. McChesney, &#8220;Digital Disconnect: How Capitalism is Turning the Internet Against Democracy&#8221;</title>
		<link>http://newbooksindigitalculture.com/2013/04/04/robert-w-mcchesney-digital-disconnect-how-capitalism-is-turning-the-internet-against-democracy-the-new-press-2013/</link>
		<comments>http://newbooksindigitalculture.com/2013/04/04/robert-w-mcchesney-digital-disconnect-how-capitalism-is-turning-the-internet-against-democracy-the-new-press-2013/#comments</comments>
		<pubDate>Thu, 04 Apr 2013 15:12:29 +0000</pubDate>
		<dc:creator>David Schwartz</dc:creator>
				<category><![CDATA[Academic books]]></category>
		<category><![CDATA[Academic podcasts]]></category>
		<category><![CDATA[Author interviews]]></category>
		<category><![CDATA[Book podcasts]]></category>
		<category><![CDATA[Books about the Internet]]></category>
		<category><![CDATA[Digital culture]]></category>
		<category><![CDATA[Internet books]]></category>
		<category><![CDATA[Internet podcasts]]></category>
		<category><![CDATA[Podcasts about books]]></category>
		<category><![CDATA[Podcasts about the internet]]></category>

		<guid isPermaLink="false">http://newbooksnetwork.com/digitalculture/?p=91</guid>
		<description><![CDATA[[Cross-posted from New Books in Journalism] Robert W. McChesney, the celebrated political economist of communication, takes the Internet, industry and government head-on in his latest book, Digital Disconnect: How Capitalism is Turning the Internet Against Democracy (The New Press, 2013). Digital Disconnect builds on McChesney’s previous works, spinning forward his scholarship to construct a remarkably current look at the Internet’s [...]]]></description>
				<content:encoded><![CDATA[<p></p><p>[<em>Cross-posted from <a href="http://newbooksinjournalism.com" target="_blank">New Books in Journalism</a></em>] <a href="http://www.communication.illinois.edu/people/rwmcches">Robert W. McChesney</a>, the celebrated political economist of communication, takes the Internet, industry and government head-on in his latest book, <em><a href="http://www.amazon.com/dp/1595588671/?tag=newbooinhis-20" target="_blank">Digital Disconnect: How Capitalism is Turning the Internet Against Democracy</a> </em>(The New Press, 2013).</p>
<p><em>Digital Disconnect</em> builds on McChesney’s previous works, spinning forward his scholarship to construct a remarkably current look at the Internet’s corporate and political landscape.</p>
<p>“Almost all of the other books on the Internet, some of which are very good, sort of try to take a larger view of it,” McChesney says during the interview. “Because of where I’m coming from, because of my interests, I think that’s the one thing I could inject that draws from my past research, where I can speak with greater authority, that’s really not talked about by anyone else.”</p>
<p>McChesney uses the book to argue that the Internet has become a hub of “numbing commercialism,” largely the result of failed government policies.</p>
<p>Writes McChesney: “When the dust clears on this critical juncture, if our societies have not been fundamentally transformed for the better, if democracy has not triumphed over capital, the digital revolution may prove to have been a revolution in name only, an ironic, tragic reminder of the growing gap between the potential and the reality of human society.”</p>
]]></content:encoded>
			<wfw:commentRss>http://newbooksindigitalculture.com/2013/04/04/robert-w-mcchesney-digital-disconnect-how-capitalism-is-turning-the-internet-against-democracy-the-new-press-2013/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
			<enclosure url="http://files.newbooksnetwork.com/journalism/006journalismmcchesney.mp3" length="21831807" type="audio/mpeg" />
		<itunes:duration>0:45:28</itunes:duration>
		<itunes:subtitle>[Cross-posted from New Books in Journalism] Robert W. McChesney, the celebrated political economist of communication, takes the Internet, industry and government head-on in his latest book, Digital Disconnect: How Capitalism is Turning the Internet [...]</itunes:subtitle>
		<itunes:summary>[Cross-posted from New Books in Journalism] Robert W. McChesney, the celebrated political economist of communication, takes the Internet, industry and government head-on in his latest book, Digital Disconnect: How Capitalism is Turning the Internet Against Democracy (The New Press, 2013).
Digital Disconnect builds on McChesney’s previous works, spinning forward his scholarship to construct a remarkably current look at the Internet’s corporate and political landscape.
“Almost all of the other books on the Internet, some of which are very good, sort of try to take a larger view of it,” McChesney says during the interview. “Because of where I’m coming from, because of my interests, I think that’s the one thing I could inject that draws from my past research, where I can speak with greater authority, that’s really not talked about by anyone else.”
McChesney uses the book to argue that the Internet has become a hub of “numbing commercialism,” largely the result of failed government policies.
Writes McChesney: “When the dust clears on this critical juncture, if our societies have not been fundamentally transformed for the better, if democracy has not triumphed over capital, the digital revolution may prove to have been a revolution in name only, an ironic, tragic reminder of the growing gap between the potential and the reality of human society.”</itunes:summary>
		<itunes:author>New Books Network</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>Henry Jenkins, Sam Ford, and Joshua Green, &#8220;Spreadable Media: Creating Value and Meaning in a Networked Culture&#8221;</title>
		<link>http://newbooksindigitalculture.com/2013/03/09/henry-jenkins-sam-ford-joshua-green-spreadable-media-creating-value-and-meaning-in-a-networked-culture-new-york-university-press-2013/</link>
		<comments>http://newbooksindigitalculture.com/2013/03/09/henry-jenkins-sam-ford-joshua-green-spreadable-media-creating-value-and-meaning-in-a-networked-culture-new-york-university-press-2013/#comments</comments>
		<pubDate>Sat, 09 Mar 2013 16:20:36 +0000</pubDate>
		<dc:creator>David Schwartz</dc:creator>
				<category><![CDATA[Academic books]]></category>
		<category><![CDATA[Academic podcasts]]></category>
		<category><![CDATA[Author interviews]]></category>
		<category><![CDATA[Book podcasts]]></category>
		<category><![CDATA[Books about the Internet]]></category>
		<category><![CDATA[Digital culture]]></category>
		<category><![CDATA[Internet books]]></category>
		<category><![CDATA[Internet podcasts]]></category>
		<category><![CDATA[Podcasts about books]]></category>
		<category><![CDATA[Podcasts about the internet]]></category>

		<guid isPermaLink="false">http://newbooksnetwork.com/digitalculture/?p=87</guid>
		<description><![CDATA[[Cross-posted from New Books in Journalism] If it doesn’t spread, it’s dead This is the unifying idea of Henry Jenkins, Sam Ford, and Joshua Green’s new book, Spreadable Media: Creating Value and Meaning in a Networked Culture (New York University Press, 2013) Those six words – If it doesn’t spread, it’s dead – appear on the back cover, on the inside [...]]]></description>
				<content:encoded><![CDATA[<p></p><p>[<em>Cross-posted from <a href="http://newbooksinjournalism.com" target="_blank">New Books in Journalism</a></em>]</p>
<p><em>If it doesn’t spread, it’s dead</em></p>
<p>This is the unifying idea of Henry Jenkins, Sam Ford, and Joshua Green’s new book, <em><a href="http://www.amazon.com/dp/0814743501/?tag=newbooinhis-20" target="_blank">Spreadable Media: Creating Value and Meaning in a Networked Culture</a></em> (New York University Press, 2013) Those six words – <em>If it doesn’t spread, it’s dead</em> – appear on the back cover, on the inside jacket, and in the very first paragraph of the book’s introduction.</p>
<p>The authors focus on the new currencies of media, including user engagement and the rapid flow of information, while debunking the terms we’ve all learned to know and dread, such as “viral” and “Web 2.0.”</p>
<p><a href="http://henryjenkins.org/">Jenkins</a>, <a href="https://twitter.com/Sam_Ford">Ford</a>, and <a href="http://undercurrent.com/post/author/joshua-green/">Green</a> set an ambitious agenda, targeting not one but three audiences: media scholars, communication professionals, and those who create and share media and are interested in learning how media are changing because of it.</p>
<p>“Perhaps the most impactful aspect of a spreadable media environment,” the authors write, “is the way in which we all now play a vital role in the sharing of media texts.”</p>
]]></content:encoded>
			<wfw:commentRss>http://newbooksindigitalculture.com/2013/03/09/henry-jenkins-sam-ford-joshua-green-spreadable-media-creating-value-and-meaning-in-a-networked-culture-new-york-university-press-2013/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
			<enclosure url="http://files.newbooksnetwork.com/journalism/005journalismjenkinsford.mp3" length="24459307" type="audio/mpeg" />
		<itunes:duration>0:50:57</itunes:duration>
		<itunes:subtitle>[Cross-posted from New Books in Journalism]
If it doesn’t spread, it’s dead
This is the unifying idea of Henry Jenkins, Sam Ford, and Joshua Green’s new book, Spreadable Media: Creating Value and Meaning in a Networked Culture (New York University P[...]</itunes:subtitle>
		<itunes:summary>[Cross-posted from New Books in Journalism]
If it doesn’t spread, it’s dead
This is the unifying idea of Henry Jenkins, Sam Ford, and Joshua Green’s new book, Spreadable Media: Creating Value and Meaning in a Networked Culture (New York University Press, 2013) Those six words – If it doesn’t spread, it’s dead – appear on the back cover, on the inside jacket, and in the very first paragraph of the book’s introduction.
The authors focus on the new currencies of media, including user engagement and the rapid flow of information, while debunking the terms we’ve all learned to know and dread, such as “viral” and “Web 2.0.”
Jenkins, Ford, and Green set an ambitious agenda, targeting not one but three audiences: media scholars, communication professionals, and those who create and share media and are interested in learning how media are changing because of it.
“Perhaps the most impactful aspect of a spreadable media environment,” the authors write, “is the way in which we all now play a vital role in the sharing of media texts.”</itunes:summary>
		<itunes:author>New Books Network</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>C.W. Anderson, &#8220;Rebuilding the News: Metropolitan Journalism in the Digital Age&#8221;</title>
		<link>http://newbooksindigitalculture.com/2013/03/03/c-w-anderson-rebuilding-the-news-metropolitan-journalism-in-the-digital-age-temple-up-2013/</link>
		<comments>http://newbooksindigitalculture.com/2013/03/03/c-w-anderson-rebuilding-the-news-metropolitan-journalism-in-the-digital-age-temple-up-2013/#comments</comments>
		<pubDate>Sun, 03 Mar 2013 19:50:27 +0000</pubDate>
		<dc:creator>David Schwartz</dc:creator>
				<category><![CDATA[Academic books]]></category>
		<category><![CDATA[Academic podcasts]]></category>
		<category><![CDATA[Author interviews]]></category>
		<category><![CDATA[Book podcasts]]></category>
		<category><![CDATA[Books about the Internet]]></category>
		<category><![CDATA[Digital culture]]></category>
		<category><![CDATA[Internet books]]></category>
		<category><![CDATA[Internet podcasts]]></category>
		<category><![CDATA[Podcasts about books]]></category>
		<category><![CDATA[Podcasts about the internet]]></category>

		<guid isPermaLink="false">http://newbooksnetwork.com/digitalculture/?p=80</guid>
		<description><![CDATA[[Cross-posted from New Books in Journalism] Somewhere along the line, C.W. Anderson became fascinated with digital journalism and the culture that surrounds it: engaged publics, social networks, and the challenges to “legacy” media. Rebuilding the News: Metropolitan Journalism in the Digital Age (Temple University Press, 2013) is the fascinating product of Anderson’s research into the Philadelphia journalism scene during [...]]]></description>
				<content:encoded><![CDATA[<p></p><p>[<em>Cross-posted from <a href="http://newbooksinjournalism.com" target="_blank">New Books in Journalism</a></em>] Somewhere along the line, <a href="http://www.library.csi.cuny.edu/mediaculture/faculty/anderson.html">C.W. Anderson</a> became fascinated with digital journalism and the culture that surrounds it: engaged publics, social networks, and the challenges to “legacy” media.</p>
<p><em><a href="http://www.amazon.com/dp/1439909342/?tag=newbooinhis-20" target="_blank">Rebuilding the News: Metropolitan Journalism in the Digital Age</a></em> (Temple University Press, 2013) is the fascinating product of Anderson’s research into the Philadelphia journalism scene during the first decade-plus of the 21st Century. Once a thriving hub of traditional journalism, Philadelphia has become a living case study of the collision of digital media practices.</p>
<p>Anderson’s ethnographic research and spot-on academic interpretation paints a vivid picture of a sometimes innovative, sometimes meandering journalism scene. Although we are at the beginning of the digital journalism era, in <em><a href="http://www.amazon.com/Rebuilding-News-Metropolitan-Journalism-Digital/dp/1439909342/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1362154684&amp;sr=1-1&amp;keywords=Rebuilding+the+news">Rebuilding the News</a></em> Anderson nonetheless walks us through the new ecosystem, what seems to be working, what doesn’t, and where we go from here.</p>
<p>“Given all of the pain journalism has experienced in the past decade and a half,” <a href="http://www.cwanderson.org/">Anderson</a> writes, “it would be a shame to waste this moment.”</p>
]]></content:encoded>
			<wfw:commentRss>http://newbooksindigitalculture.com/2013/03/03/c-w-anderson-rebuilding-the-news-metropolitan-journalism-in-the-digital-age-temple-up-2013/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
			<enclosure url="http://files.newbooksnetwork.com/journalism/004journalismanderson.mp3" length="24245312" type="audio/mpeg" />
		<itunes:duration>0:50:30</itunes:duration>
		<itunes:subtitle>[Cross-posted from New Books in Journalism] Somewhere along the line, C.W. Anderson became fascinated with digital journalism and the culture that surrounds it: engaged publics, social networks, and the challenges to “legacy” media.
Rebuilding the N[...]</itunes:subtitle>
		<itunes:summary>[Cross-posted from New Books in Journalism] Somewhere along the line, C.W. Anderson became fascinated with digital journalism and the culture that surrounds it: engaged publics, social networks, and the challenges to “legacy” media.
Rebuilding the News: Metropolitan Journalism in the Digital Age (Temple University Press, 2013) is the fascinating product of Anderson’s research into the Philadelphia journalism scene during the first decade-plus of the 21st Century. Once a thriving hub of traditional journalism, Philadelphia has become a living case study of the collision of digital media practices.
Anderson’s ethnographic research and spot-on academic interpretation paints a vivid picture of a sometimes innovative, sometimes meandering journalism scene. Although we are at the beginning of the digital journalism era, in Rebuilding the News Anderson nonetheless walks us through the new ecosystem, what seems to be working, what doesn’t, and where we go from here.
“Given all of the pain journalism has experienced in the past decade and a half,” Anderson writes, “it would be a shame to waste this moment.”</itunes:summary>
		<itunes:author>New Books Network</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>Nick Couldry, &#8220;Media, Society, World: Social Theory and Digital Media Practice&#8221;</title>
		<link>http://newbooksindigitalculture.com/crossposts/nick-couldry-media-society-world-social-theory-and-digital-media-practice-polity-press-2012/</link>
		<comments>http://newbooksindigitalculture.com/crossposts/nick-couldry-media-society-world-social-theory-and-digital-media-practice-polity-press-2012/#comments</comments>
		<pubDate>Wed, 06 Feb 2013 18:27:49 +0000</pubDate>
		<dc:creator>Jeff Pooley</dc:creator>
		
		<guid isPermaLink="false">http://newbooksnetwork.com/digitalculture/?post_type=crosspost&#038;p=75</guid>
		<description><![CDATA[[Cross-posted from New Books in Communications] In Media, Society, World: Social Theory and Digital Media Practice (Polity Press, 2012), Nick Couldry provides a sweeping synthesis of his important media theory over the last decade. Couldry reassesses his work on media rituals, media power, and the “hidden injuries” of representation in light of cross-cultural diversity as [...]]]></description>
				<content:encoded><![CDATA[<p></p><p>[<em>Cross-posted from <a href="http://newbooksincommunications.com" target="_blank">New Books in Communications</a></em>] In <em><a href="http://www.amazon.com/dp/0745639208/?tag=newbooinhis-20" target="_blank">Media, Society, World: Social Theory and Digital Media Practice</a></em> (Polity Press, 2012), <a href="http://www.gold.ac.uk/media-communications/staff/couldry/">Nick Couldry</a> provides a sweeping synthesis of his important media theory over the last decade. Couldry reassesses his work on media rituals, media power, and the “hidden injuries” of representation in light of cross-cultural diversity as well as the sudden eruption of social media. The book argues convincingly that these theories remain relevant to a social media age, in a rich, chapter-by-chapter engagement with contemporary social theory. Couldry makes a cogent case for a “practice approach” to media studies that treats a wide range of social activity—and not just production or consumption—as media-related and worthy of study. The book is concerned with big themes—social order, justice and power—but also furnishes a toolkit of mid-range theories that deserve to be applied, and wrestled with, in empirical research. <em><a href="http://www.amazon.com/dp/0745639208/?tag=newbooinhis-20" target="_blank">Media, Society, World</a></em> provides a nuanced verdict on the prospects of digital democracy, advances a de-territorialized notion of “media cultures,” and furnishes a theory of media power through a highly original rethinking of Pierre Bourdieu’s field theory. The concluding chapter asks readers to engage with a literature—and a set of questions—that media scholars rarely address: media justice in the context of moral and political philosophy. The book is a major statement from the leading media theorist working today.</p>
]]></content:encoded>
			<wfw:commentRss>http://newbooksindigitalculture.com/crossposts/nick-couldry-media-society-world-social-theory-and-digital-media-practice-polity-press-2012/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
			<enclosure url="http://files.newbooksnetwork.com/communications/001communicationscouldry.mp3" length="29604594" type="audio/mpeg" />
		<itunes:duration>1:01:40</itunes:duration>
		<itunes:subtitle>[Cross-posted from New Books in Communications] In Media, Society, World: Social Theory and Digital Media Practice (Polity Press, 2012), Nick Couldry provides a sweeping synthesis of his important media theory over the last decade. Couldry reassesse[...]</itunes:subtitle>
		<itunes:summary>[Cross-posted from New Books in Communications] In Media, Society, World: Social Theory and Digital Media Practice (Polity Press, 2012), Nick Couldry provides a sweeping synthesis of his important media theory over the last decade. Couldry reassesses his work on media rituals, media power, and the “hidden injuries” of representation in light of cross-cultural diversity as well as the sudden eruption of social media. The book argues convincingly that these theories remain relevant to a social media age, in a rich, chapter-by-chapter engagement with contemporary social theory. Couldry makes a cogent case for a “practice approach” to media studies that treats a wide range of social activity—and not just production or consumption—as media-related and worthy of study. The book is concerned with big themes—social order, justice and power—but also furnishes a toolkit of mid-range theories that deserve to be applied, and wrestled with, in empirical research. Media, Society, World provides a nuanced verdict on the prospects of digital democracy, advances a de-territorialized notion of “media cultures,” and furnishes a theory of media power through a highly original rethinking of Pierre Bourdieu’s field theory. The concluding chapter asks readers to engage with a literature—and a set of questions—that media scholars rarely address: media justice in the context of moral and political philosophy. The book is a major statement from the leading media theorist working today.</itunes:summary>
		<itunes:author>New Books Network</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>Ines Mergel, &#8220;Social Media in the Public Sector: A Guide to Participation, Collaboration and Transparency in the Networked World&#8221;</title>
		<link>http://newbooksindigitalculture.com/crossposts/ines-mergel-social-media-in-the-public-sector-a-guide-to-participation-collaboration-and-transparency-in-the-networked-world-jossey-bass-2012/</link>
		<comments>http://newbooksindigitalculture.com/crossposts/ines-mergel-social-media-in-the-public-sector-a-guide-to-participation-collaboration-and-transparency-in-the-networked-world-jossey-bass-2012/#comments</comments>
		<pubDate>Fri, 21 Dec 2012 21:33:37 +0000</pubDate>
		<dc:creator>Heath Brown</dc:creator>
		
		<guid isPermaLink="false">http://newbooksnetwork.com/digitalculture/?post_type=crosspost&#038;p=72</guid>
		<description><![CDATA[[Cross-posted from New Books in Political Science] Ines Mergel, assistant professor of public administration at the Maxwell School of Citizenship and Public Affairs and the School of Information Studies (iSchool) at Syracuse University, is the author of Social Media in the Public Sector: A Guide to Participation, Collaboration and Transparency in the Networked World (Jossey-Bass 2012). This timely [...]]]></description>
				<content:encoded><![CDATA[<p></p><p>[<em>Cross-posted from <a href="http://newbooksinpoliticalscience.com" target="_blank">New Books in Political Science</a></em>] <a href="http://faculty.maxwell.syr.edu/iamergel/" target="_blank">Ines Mergel</a>, assistant professor of public administration at the Maxwell School of Citizenship and Public Affairs and the School of Information Studies (iSchool) at Syracuse University, is the author of <a href="http://www.amazon.com/dp/1118109945/?tag=newbooinhis-20" target="_blank"><em>Social Media in the Public Sector: A Guide to Participation, Collaboration and Transparency in the Networked World</em> </a>(Jossey-Bass 2012). This timely and insightful book can be read by a host of audiences, from the scholar to the practitioner. The book relates the development of social media technologies to the open government movement of the last generation. It demonstrates how government agencies can better integrate tools such as Twitter and Facebook into their operations. In doing so, agencies can open a door to public input and deliberation. This is a book that should be read by political scientists interested in how federal agencies grown and change, but also by those in federal agencies who want to respond to calls for greater openness.</p>
]]></content:encoded>
			<wfw:commentRss>http://newbooksindigitalculture.com/crossposts/ines-mergel-social-media-in-the-public-sector-a-guide-to-participation-collaboration-and-transparency-in-the-networked-world-jossey-bass-2012/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
			<enclosure url="http://files.newbooksnetwork.com/polisci/022politicalsciencemergel.mp3" length="13348489" type="audio/mpeg" />
		<itunes:duration>0:27:48</itunes:duration>
		<itunes:subtitle>[Cross-posted from New Books in Political Science] Ines Mergel, assistant professor of public administration at the Maxwell School of Citizenship and Public Affairs and the School of Information Studies (iSchool) at Syracuse University, is the autho[...]</itunes:subtitle>
		<itunes:summary>[Cross-posted from New Books in Political Science] Ines Mergel, assistant professor of public administration at the Maxwell School of Citizenship and Public Affairs and the School of Information Studies (iSchool) at Syracuse University, is the author of Social Media in the Public Sector: A Guide to Participation, Collaboration and Transparency in the Networked World (Jossey-Bass 2012). This timely and insightful book can be read by a host of audiences, from the scholar to the practitioner. The book relates the development of social media technologies to the open government movement of the last generation. It demonstrates how government agencies can better integrate tools such as Twitter and Facebook into their operations. In doing so, agencies can open a door to public input and deliberation. This is a book that should be read by political scientists interested in how federal agencies grown and change, but also by those in federal agencies who want to respond to calls for greater openness.</itunes:summary>
		<itunes:author>New Books Network</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>Daniel Kreiss, &#8220;Taking Our Country Back: The Crafting of Networked Politics from Howard Dean to Barack Obama&#8221;</title>
		<link>http://newbooksindigitalculture.com/crossposts/daniel-kreiss-taking-our-country-back-the-crafting-of-networked-politics-from-howard-dean-to-barack-obama-oxford-up-2012/</link>
		<comments>http://newbooksindigitalculture.com/crossposts/daniel-kreiss-taking-our-country-back-the-crafting-of-networked-politics-from-howard-dean-to-barack-obama-oxford-up-2012/#comments</comments>
		<pubDate>Thu, 20 Sep 2012 16:40:23 +0000</pubDate>
		<dc:creator>Heath Brown</dc:creator>
		
		<guid isPermaLink="false">http://newbooksnetwork.com/digitalculture/?post_type=crosspost&#038;p=62</guid>
		<description><![CDATA[[Cross-posted from New Books in Political Science] Daniel Kreiss is an Assistant Professor in the School of Journalism and Mass Communication at the University of North Carolina at Chapel Hill. His Taking Our Country Back: The Crafting of Networked Politics from Howard Dean to Barack Obama (Oxford University Press, 2012) traces the integration of new media into the presidential campaigns [...]]]></description>
				<content:encoded><![CDATA[<p></p><p>[<em>Cross-posted from <a href="http://newbooksinpoliticalscience.com" target="_blank">New Books in Political Science</a></em>] <a href="http://danielkreiss.com/" target="_blank">Daniel Kreiss</a> is an Assistant Professor in the School of Journalism and Mass Communication at the University of North Carolina at Chapel Hill. His <em><a href="http://www.amazon.com/dp/0199936781/?tag=newbooinhis-20" target="_blank">Taking Our Country Back: The Crafting of Networked Politics from Howard Dean to Barack Obama</a></em> (Oxford University Press, 2012) traces the integration of new media into the presidential campaigns of Howard Dean and then Barack Obama. Kreiss argues that by focusing on innovation, infrastructure, and organization, scholars can better understand how new media has become central to understanding political campaigns in the US. The book draws on dozens of interviews with most of the largely unknown, but integral members of the campaigns of Dean and Obama. The story Kreiss tells reveals much about the nature of modern political campaigns and how the Internet has shaped the last decade of American politics.</p>
]]></content:encoded>
			<wfw:commentRss>http://newbooksindigitalculture.com/crossposts/daniel-kreiss-taking-our-country-back-the-crafting-of-networked-politics-from-howard-dean-to-barack-obama-oxford-up-2012/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
			<enclosure url="http://files.newbooksnetwork.com/polisci/013politicalsciencekreiss.mp3" length="18049694" type="audio/mpeg" />
		<itunes:duration>0:37:36</itunes:duration>
		<itunes:subtitle>[Cross-posted from New Books in Political Science] Daniel Kreiss is an Assistant Professor in the School of Journalism and Mass Communication at the University of North Carolina at Chapel Hill. His Taking Our Country Back: The Crafting of Networked [...]</itunes:subtitle>
		<itunes:summary>[Cross-posted from New Books in Political Science] Daniel Kreiss is an Assistant Professor in the School of Journalism and Mass Communication at the University of North Carolina at Chapel Hill. His Taking Our Country Back: The Crafting of Networked Politics from Howard Dean to Barack Obama (Oxford University Press, 2012) traces the integration of new media into the presidential campaigns of Howard Dean and then Barack Obama. Kreiss argues that by focusing on innovation, infrastructure, and organization, scholars can better understand how new media has become central to understanding political campaigns in the US. The book draws on dozens of interviews with most of the largely unknown, but integral members of the campaigns of Dean and Obama. The story Kreiss tells reveals much about the nature of modern political campaigns and how the Internet has shaped the last decade of American politics.</itunes:summary>
		<itunes:author>New Books Network</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>David Wolman, &#8220;The End Of Money: Counterfeiters, Preachers, Techies, Dreamers, and the Coming Cashless Society&#8221;</title>
		<link>http://newbooksindigitalculture.com/2012/06/08/david-wolman-the-end-of-money-counterfeiters-preachers-techies-dreamers-and-the-coming-cashless-society-da-capo-press-2012/</link>
		<comments>http://newbooksindigitalculture.com/2012/06/08/david-wolman-the-end-of-money-counterfeiters-preachers-techies-dreamers-and-the-coming-cashless-society-da-capo-press-2012/#comments</comments>
		<pubDate>Fri, 08 Jun 2012 12:31:17 +0000</pubDate>
		<dc:creator>Greg Evans</dc:creator>
				<category><![CDATA[Academic books]]></category>
		<category><![CDATA[Academic podcasts]]></category>
		<category><![CDATA[Author interviews]]></category>
		<category><![CDATA[Book podcasts]]></category>
		<category><![CDATA[Books about the Internet]]></category>
		<category><![CDATA[Digital culture]]></category>
		<category><![CDATA[Internet books]]></category>
		<category><![CDATA[Internet podcasts]]></category>
		<category><![CDATA[Podcasts about books]]></category>
		<category><![CDATA[Podcasts about the internet]]></category>
		<category><![CDATA[DavidWolman]]></category>
		<category><![CDATA[DigitalCulture]]></category>
		<category><![CDATA[EndOfMoney]]></category>
		<category><![CDATA[NewBooks]]></category>

		<guid isPermaLink="false">http://newbooksnetwork.com/digitalculture/?p=47</guid>
		<description><![CDATA[Many of us in the western world don&#8217;t rely on bills and coins as much as we used to, yet the idea of cash money is still an ever-present constant in our minds. How often have you stopped to consider the idea of what &#8220;money&#8221; actually is on a larger scale, or where our changing [...]]]></description>
				<content:encoded><![CDATA[<p></p><p>Many of us in the western world don&#8217;t rely on bills and coins as much as we used to, yet the idea of cash money is still an ever-present constant in our minds. How often have you stopped to consider the idea of what &#8220;money&#8221; actually is on a larger scale, or where our changing habits could lead us? In his book <em><a href="http://www.amazon.com/dp/0306818833/?tag=newbooinhis-20" target="_blank">The End of Money &#8211; Counterfeiters, Preachers, Techies, Dreamers, and the Coming Cashless Society </a></em>(Da Capo Press, 2012), <a href="http://www.david-wolman.com/" target="_blank">David Wolman</a> examines our commitment to cash, its advantages and drawbacks, how it facilitates crime and poverty, even its health and environmental issues. With an engaging and accessible style he prompts us to rethink the notion of money, how it works, and what forms it could take in the future.</p>
<p>Wolman starts with a short history of cash, beginning with the official introduction of paper money to the Chinese monetary system in the 13th century and Marco Polo&#8217;s reaction to it 100 years later.  Next we follow him around the globe to get a cross-cultural picture of cash today &#8211; including explorations of the cultural heritage and emotional value of cash, of an increasing trend in developing countries of people using their cellphones to transfer money to both businesses and family, and of counterfeiting and anti-counterfeiting technology.  Along the way he enlists a wide variety of people to help illustrate these concepts: a Georgia pastor who views the end of cash as a sign of the End Times, a convicted counterfeiter (or &#8220;Monetary Architect&#8221;, depending on who you&#8217;re talking to), a coin collector with an ambivalent attitude toward coins, and a British &#8220;digital money guru&#8221; who views money as a menace.</p>
<p>David Wolman is a contributing editor at Wired magazine.  You can follow him on Twitter at @DavidWolman.  He is, in his own words, a &#8220;&#8230;guy who&#8217;s interested in seemingly small, simple, straightforward topics that in fact, when you put them under the microscope, are anything but simple.&#8221;  This book is an excellent example of that, and an engrossing read.  In our interview he spoke of his year-long experiment to go without using coins or bills at all, the meaning of privacy and security as it relates to money in a digital world, and what he sees as the future of &#8220;money&#8221;.</p>
]]></content:encoded>
			<wfw:commentRss>http://newbooksindigitalculture.com/2012/06/08/david-wolman-the-end-of-money-counterfeiters-preachers-techies-dreamers-and-the-coming-cashless-society-da-capo-press-2012/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
			<enclosure url="http://files.newbooksnetwork.com/digitalculture/003digitalculturewolman.mp3" length="26766442" type="audio/mpeg" />
		<itunes:duration>0:55:45</itunes:duration>
		<itunes:subtitle>Many of us in the western world don&#8217;t rely on bills and coins as much as we used to, yet the idea of cash money is still an ever-present constant in our minds. How often have you stopped to consider the idea of what &#8220;money&#8221; actuall[...]</itunes:subtitle>
		<itunes:summary>Many of us in the western world don&#8217;t rely on bills and coins as much as we used to, yet the idea of cash money is still an ever-present constant in our minds. How often have you stopped to consider the idea of what &#8220;money&#8221; actually is on a larger scale, or where our changing habits could lead us? In his book The End of Money &#8211; Counterfeiters, Preachers, Techies, Dreamers, and the Coming Cashless Society (Da Capo Press, 2012), David Wolman examines our commitment to cash, its advantages and drawbacks, how it facilitates crime and poverty, even its health and environmental issues. With an engaging and accessible style he prompts us to rethink the notion of money, how it works, and what forms it could take in the future.
Wolman starts with a short history of cash, beginning with the official introduction of paper money to the Chinese monetary system in the 13th century and Marco Polo&#8217;s reaction to it 100 years later.  Next we follow him around the globe to get a cross-cultural picture of cash today &#8211; including explorations of the cultural heritage and emotional value of cash, of an increasing trend in developing countries of people using their cellphones to transfer money to both businesses and family, and of counterfeiting and anti-counterfeiting technology.  Along the way he enlists a wide variety of people to help illustrate these concepts: a Georgia pastor who views the end of cash as a sign of the End Times, a convicted counterfeiter (or &#8220;Monetary Architect&#8221;, depending on who you&#8217;re talking to), a coin collector with an ambivalent attitude toward coins, and a British &#8220;digital money guru&#8221; who views money as a menace.
David Wolman is a contributing editor at Wired magazine.  You can follow him on Twitter at @DavidWolman.  He is, in his own words, a &#8220;&#8230;guy who&#8217;s interested in seemingly small, simple, straightforward topics that in fact, when you put them under the microscope, are anything but simple.&#8221;  This book is an excellent example of that, and an engrossing read.  In our interview he spoke of his year-long experiment to go without using coins or bills at all, the meaning of privacy and security as it relates to money in a digital world, and what he sees as the future of &#8220;money&#8221;.</itunes:summary>
		<itunes:author>New Books Network</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>Mark Stephen Meadows, &#8220;We, Robot: Skywalker&#8217;s Hand, Blade Runners, Iron Man, Slutbots, and How Fiction Became Fact&#8221;</title>
		<link>http://newbooksindigitalculture.com/2011/07/06/mark-stephen-meadows-we-robot-skywalkers-hand-blade-runners-iron-man-slutbots-and-how-fiction-became-fact-lyons-press-2011/</link>
		<comments>http://newbooksindigitalculture.com/2011/07/06/mark-stephen-meadows-we-robot-skywalkers-hand-blade-runners-iron-man-slutbots-and-how-fiction-became-fact-lyons-press-2011/#comments</comments>
		<pubDate>Wed, 06 Jul 2011 13:39:42 +0000</pubDate>
		<dc:creator>Chris Baraniuk</dc:creator>
				<category><![CDATA[Academic books]]></category>
		<category><![CDATA[Academic podcasts]]></category>
		<category><![CDATA[Author interviews]]></category>
		<category><![CDATA[Book podcasts]]></category>
		<category><![CDATA[Books about the Internet]]></category>
		<category><![CDATA[Digital culture]]></category>
		<category><![CDATA[Internet books]]></category>
		<category><![CDATA[Internet podcasts]]></category>
		<category><![CDATA[Podcasts about books]]></category>
		<category><![CDATA[Podcasts about the internet]]></category>

		<guid isPermaLink="false">http://newbooksnetwork.com/digitalculture/?p=36</guid>
		<description><![CDATA[If technology is the site of digital culture, then robots are the future platforms of our social projections and interactions. In fact, that future is already here in small but fascinating ways. Mark Stephen Meadows is one of a handful of curious authors who have begun to explore the social ramifications of robotic engineering and [...]]]></description>
				<content:encoded><![CDATA[<p></p><p>If technology is the site of digital culture, then robots are the future platforms of our social projections and interactions. In fact, that future is already here in small but fascinating ways. <a href="http://markmeadows.com/" target="_blank">Mark Stephen Meadows</a> is one of a handful of curious authors who have begun to explore the social ramifications of robotic engineering and his book <em><a href="http://www.amazon.com/dp/1599219433/?tag=newbooinhis-20" target="_blank">We Robot: Skywalker&#8217;s Hand, Blade Runners, Iron Man, Slutbots, and How Fiction Became Fact</a></em> (Palgrave Macmillan, 2011) is intended as a lively assessment of those implications and consequences.</p>
<p>The book sees Meadows touring the strange, wonderful, and unnerving production laboratories of Japanese roboticists, lifting unreal loads with the aid of an augmented limb, and being turned on by an uncannily sexy fembot as she smiles at him and moves her android features. In our interview I asked Meadows what we can expect from our machine compatriots of tomorrow, and why human intelligence might be slowly getting written out of the equation for the perfect bot.</p>
]]></content:encoded>
			<wfw:commentRss>http://newbooksindigitalculture.com/2011/07/06/mark-stephen-meadows-we-robot-skywalkers-hand-blade-runners-iron-man-slutbots-and-how-fiction-became-fact-lyons-press-2011/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
			<enclosure url="http://files.newbooksnetwork.com/digitalculture/002digitalculturemeadows.mp3" length="25860306" type="audio/mpeg" />
		<itunes:duration>0:53:52</itunes:duration>
		<itunes:subtitle>If technology is the site of digital culture, then robots are the future platforms of our social projections and interactions. In fact, that future is already here in small but fascinating ways. Mark Stephen Meadows is one of a handful of curious au[...]</itunes:subtitle>
		<itunes:summary>If technology is the site of digital culture, then robots are the future platforms of our social projections and interactions. In fact, that future is already here in small but fascinating ways. Mark Stephen Meadows is one of a handful of curious authors who have begun to explore the social ramifications of robotic engineering and his book We Robot: Skywalker&#8217;s Hand, Blade Runners, Iron Man, Slutbots, and How Fiction Became Fact (Palgrave Macmillan, 2011) is intended as a lively assessment of those implications and consequences.
The book sees Meadows touring the strange, wonderful, and unnerving production laboratories of Japanese roboticists, lifting unreal loads with the aid of an augmented limb, and being turned on by an uncannily sexy fembot as she smiles at him and moves her android features. In our interview I asked Meadows what we can expect from our machine compatriots of tomorrow, and why human intelligence might be slowly getting written out of the equation for the perfect bot.</itunes:summary>
		<itunes:author>New Books Network</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>Brian Christian, &#8220;The Most Human Human: A Defence of Humanity in the Age of the Computer&#8221;</title>
		<link>http://newbooksindigitalculture.com/2011/05/23/brian-christian-the-most-human-human-a-defense-of-humanity-in-the-age-of-the-computer-penguin-2011/</link>
		<comments>http://newbooksindigitalculture.com/2011/05/23/brian-christian-the-most-human-human-a-defense-of-humanity-in-the-age-of-the-computer-penguin-2011/#comments</comments>
		<pubDate>Mon, 23 May 2011 19:44:04 +0000</pubDate>
		<dc:creator>Chris Baraniuk</dc:creator>
				<category><![CDATA[Academic books]]></category>
		<category><![CDATA[Academic podcasts]]></category>
		<category><![CDATA[Author interviews]]></category>
		<category><![CDATA[Book podcasts]]></category>
		<category><![CDATA[Books about the Internet]]></category>
		<category><![CDATA[Digital culture]]></category>
		<category><![CDATA[Internet books]]></category>
		<category><![CDATA[Internet podcasts]]></category>
		<category><![CDATA[Podcasts about books]]></category>
		<category><![CDATA[Podcasts about the internet]]></category>

		<guid isPermaLink="false">http://newbooksnetwork.com/digitalculture/?p=14</guid>
		<description><![CDATA[Can computers think? That was the question which provoked English mathematician Alan Turing to come up with what we call the Turing Test, in which a computer engages a human in conversation while a judge, unaware of who is who, looks on and tries to ascertain which participant is made of flesh and blood, and [...]]]></description>
				<content:encoded><![CDATA[<p></p><div id="attachment_30" class="wp-caption alignright" style="width: 150px">
	<a href="http://www.amazon.co.uk/Most-Human-Defence-Humanity-Computer/dp/0670920800/ref=sr_1_1?ie=UTF8&amp;qid=1306247472&amp;sr=8-1"><img class="size-medium wp-image-30" title="" src="http://newbooksindigitalculture.com/files/2011/05/mosthumanhuman-195x300.jpg" alt="" width="150" height="240" /></a>
	<p class="wp-caption-text">View on Amazon UK</p>
</div>
<p>Can computers think? That was the question which provoked English mathematician Alan Turing to come up with what we call the Turing Test, in which a computer engages a human in conversation while a judge, unaware of who is who, looks on and tries to ascertain which participant is made of flesh and blood, and which of bits and bytes. Such a test is held every year in Brighton, England, where the most convincing <em>human</em> confederate is awarded a prize: The Most Human Human. There is also a prize for The Most Human Computer but to date no computer has ever been judged to be more convincingly human than a real person.</p>
<p>Enter Brian Christian who, in 2009, took part in this test (known officially as the Loebner Prize) with the aim of being awarded the prize for Most Human Human. He was successful, and in his new book <a href="http://www.amazon.co.uk/Most-Human-Defence-Humanity-Computer/dp/0670920800/ref=sr_1_1?ie=UTF8&amp;qid=1306247472&amp;sr=8-1" target="_blank"><em>The Most Human Human: A Defense of Humanity in the Age of the Computer</em> </a>(Penguin, 2011) he charts the methodology of his approach, his conclusions on the conceptual value of the Turing Test and the linguistic insights which arise during conversation with a machine. The artificial intelligence of machines remains relatively primitive, but their programming is canny, and they can even appear to have robust personalities and encyclopaedic knowledge on specialist subjects. Christian’s experiences, presented in the form of his book, provide the reader with an accessible and compelling avenue into the reality of contemporary machine ‘intelligence’, the idiosyncratic tapestry that is language and, most of all, the things which make humans human; the things which machines can’t (yet) do.</p>
]]></content:encoded>
			<wfw:commentRss>http://newbooksindigitalculture.com/2011/05/23/brian-christian-the-most-human-human-a-defense-of-humanity-in-the-age-of-the-computer-penguin-2011/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
			<enclosure url="http://files.newbooksnetwork.com/digitalculture/001digitalculturechristian.mp3" length="22605031" type="audio/mpeg" />
		<itunes:duration>0:47:05</itunes:duration>
		<itunes:subtitle>
	
	View on Amazon UK

Can computers think? That was the question which provoked English mathematician Alan Turing to come up with what we call the Turing Test, in which a computer engages a human in conversation while a judge, unaware of who is who[...]</itunes:subtitle>
		<itunes:summary>
	
	View on Amazon UK

Can computers think? That was the question which provoked English mathematician Alan Turing to come up with what we call the Turing Test, in which a computer engages a human in conversation while a judge, unaware of who is who, looks on and tries to ascertain which participant is made of flesh and blood, and which of bits and bytes. Such a test is held every year in Brighton, England, where the most convincing human confederate is awarded a prize: The Most Human Human. There is also a prize for The Most Human Computer but to date no computer has ever been judged to be more convincingly human than a real person.
Enter Brian Christian who, in 2009, took part in this test (known officially as the Loebner Prize) with the aim of being awarded the prize for Most Human Human. He was successful, and in his new book The Most Human Human: A Defense of Humanity in the Age of the Computer (Penguin, 2011) he charts the methodology of his approach, his conclusions on the conceptual value of the Turing Test and the linguistic insights which arise during conversation with a machine. The artificial intelligence of machines remains relatively primitive, but their programming is canny, and they can even appear to have robust personalities and encyclopaedic knowledge on specialist subjects. Christian’s experiences, presented in the form of his book, provide the reader with an accessible and compelling avenue into the reality of contemporary machine ‘intelligence’, the idiosyncratic tapestry that is language and, most of all, the things which make humans human; the things which machines can’t (yet) do.</itunes:summary>
		<itunes:author>New Books Network</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
	</channel>
</rss>
